Decision of the Complaints Committee 00705-15 A man v
The Spectator
Summary of
complaint
1. A man complained to the Independent Press Standards
Organisation that The Spectator had breached Clause 1 (Accuracy) and Clause 2
(Opportunity to reply) of the Editors’ Code of Practice in an article published
on 7 February 2015, headlined “Why we should say farewell to the ENO”.
2. The article discussed how the possible demise of the
English National Opera could benefit opera as an art form, and reported that
the ENO had rejected a proposal to host the Philip Glass Ensemble for a
production of Einstein on the Beach.
3. The complainant, a member of the ENO and the
Musicians’ Union, expressed concern that the magazine had inaccurately stated
that the ENO’s “unionised chorus and orchestra” would not “give way” to the
Philip Glass Ensemble “even for a week”. He said no such request had been made
to the orchestra and chorus, or to their trade unions. Had a request been made,
there would have been negotiations and it was likely the orchestra would have stepped
aside, as long as the Philip Glass Ensemble had performed under its own name,
and the ENO orchestra and chorus had continued to be paid. He said the magazine
had relied on one source and had provided no corroborating evidence. The
complainant also expressed concern that the article had stated that the ENO had
recently lost two board members; in fact, it had lost one.
4. In addition, the complainant said the article had
wrongly reported that the Barbican had “snapped up” the production of Einstein
on the Beach, and that tickets were sold out. In response to a Freedom of
Information Act request submitted by the complainant, the Barbican had said it
had first discussed the project 15 years ago, and ticket sales had averaged
87%.
5. The complainant also objected to the implication that
the ENO could not have performed Einstein on the Beach as successfully as the
“specialist” Philip Glass Ensemble.
6. During the course of direct correspondence with the
complainant, the magazine had offered to amend the online reference to the
unionised orchestra and chorus, but it declined to offer to publish a
correction in print. The complainant considered that this had breached Clause
2.
7. The magazine said it had been reliably informed by a
senior member of the ENO that the artistic/management team had decided against
hosting the Philip Glass Ensemble because it knew it would have to continue to
pay the ENO orchestra and chorus for the duration of the production. The
management team knew the unionised chorus and orchestra would not give way to
such a request. The specific reference to the “unionised chorus and orchestra”
had not suggested that trade unionists had been consulted and had rejected the
proposal. Rather, it had suggested that the mechanism by which the orchestra
was unionised had prevented the ENO from being flexible with the kind of
ensemble it needed for a specific production. The magazine also contended that
the complainant’s position that the union had not been consulted about the
proposal did not mean that the orchestra had not been consulted; unions did not
decide artistic matters on behalf of the orchestra.
8. The magazine said that limited space had prevented it
from making its point more clearly, but it considered that the complainant had
accepted the substantive issue: in certain circumstances, the unionised
orchestra would not have given way for the production. For clarity, however, it
offered to amend the online article to read: “I’m reliably told that the ENO
knew the unionised chorus and orchestra wouldn’t give way to the specialist
Philip Glass Ensemble, if it meant that the ENO orchestra and chorus would go
unpaid for the duration of the residency”. It also offered to append the
following footnote:
“An earlier version of this article said that the
unionised ENO chorus and orchestra would not “give way” to the Philip Glass
Ensemble “even for a week”. We accept that the decision not to host the Philip
Glass Ensemble was made by the ENO management team, not the ENO orchestra and
chorus or their trade unions. We are happy to clarify the matter.”
9. The magazine accepted that the article should have
referred to the resignation of members of the senior team and not the board; it
amended the online article accordingly.
10. In response to the complainant’s concern regarding
ticket sales for the Barbican’s production of Einstein on the Beach, the
magazine said it had seen the production. The queue for returns, the view of
the auditorium, and the conversations it had had with the box office and the
production company had all led it to conclude that it was sold out. The
magazine had also attended productions in Montpellier, Amsterdam and Berlin,
all of which were sold out.
11. The complainant said the magazine’s offer of an
online correction was unsatisfactory and requested its publication in print.
Relevant Code Provisions
12. Clause 1 (Accuracy)
i) The Press must take care not to publish inaccurate,
misleading or distorted information, including pictures.
ii) A significant inaccuracy, misleading statement or
distortion once recognised must be corrected, promptly and with due prominence,
and - where appropriate - an apology published. In cases involving the
Regulator, prominence should be agreed with the Regulator in advance.
iii) The Press, whilst free to be partisan, must
distinguish clearly between comment, conjecture and fact.
Clause 2 Opportunity to reply
A fair opportunity for reply to inaccuracies must be
given when reasonably called for.
Findings of the Committee
13. The magazine accepted that the ENO’s
artistic/management team had turned down the proposal for the ENO to host the
Philip Glass Ensemble for a production of Einstein on the Beach. The article,
however, had given the significantly misleading impression that it had
specifically been the “unionised” orchestra and chorus that had rejected the
proposal. It had failed to make clear that the ENO’s management team had
considered that the unionised orchestra and chorus would not have been willing
to forgo pay for the duration of the residency, and, as such, it had rejected
the proposal as commercially unviable. The Committee considered that this
represented a failure to take care over the accuracy of the article in breach
of Clause 1 (i).
14. In accordance with the terms of Clause 1 (ii), the
magazine was obliged to correct the inaccuracy promptly and with due
prominence. The magazine had offered to amend the online article and to append
a footnote. However, as the article had also been published in print, to meet
the requirements of Clause 1 (ii), a correction was also required in print; as
such, the offer of remedy was insufficient and this represented a breach of
Clause 1 (ii). This aspect of the complaint under Clause 1 was upheld.
15. The Committee noted the complainant’s remaining
concerns regarding the article’s accuracy. However, in the context of an
opinion piece, it did not consider that the report that the Barbican had
“snapped up” the Philip Glass Ensemble’s production of Einstein on the Beach,
or that tickets to the 2012 production had been “sold out”, had been
significantly misleading. The columnist had also been entitled to express his
opinion that an ENO production of the opera might have been less successful
than one by the Philip Glass Ensemble. The Committee welcomed the fact the
magazine had corrected the reference to two members of the board having left
the ENO; however, this was not a significant point that required correction
under the terms of Clause 1. These points did not raise a breach of Clause 1.
16. The complainant had expressed concern that the
magazine’s refusal to publish a correction in print had represented a breach of
Clause 2. Clause 2, however, affords individuals the opportunity to reply to
inaccuracies when reasonably called for. The complainant had requested a
correction, not an opportunity to reply, as such, there was no breach of Clause
2.
Conclusions
17. The complaint was upheld.
Remedial Action Required
18. Having upheld the complaint, the Committee considered
what remedial action should be required.
19. The Committee considered that the wording offered by
the magazine for publication online sufficiently addressed the misleading
impression given by the online article. However, the error had also appeared in
print, therefore, a correction was required in print. The Committee considered
that the publication of a correction, with a headline indicating the subject,
beneath the opera column (where the original error had appeared) in a
forthcoming print edition was appropriate. The correction should explain that
it was being published following an upheld IPSO complaint. It should state that
the decision not to host the Philip Glass Ensemble was made by the ENO
management team, not the ENO orchestra and chorus or their trade unions, as
previously reported. The wording and the prominence of the correction are to be
agreed with IPSO in advance of publication.
Date complaint received: 14/02/2015
Date decision issued:
08/05/2015