Decision of the Complaints Committee – 12003-22 A man v The Spectator
Summary of Complaint
1. A man complained to
the Independent Press Standards Organisation that The Spectator breached Clause
1 (Accuracy) of the Editors’ Code of Practice in an article headlined “National
disasters”, published on 24 September 2022.
2. The
article was a comment piece which discussed the writer’s opinion of the annual
grant-in-aid by Arts Council England; specifically, that the English National
Opera (ENO) and the English National Ballet should not be given the grant. One
paragraph of the article described ENO, and the writer’s criticisms of it; such
as their opinion that its “right to call itself ‘National’ is purely historic,
because it hasn’t performed outside London for decades” and that the Coliseum,
ENO’s theatre, was “acoustically unsuited to opera, offering no office,
rehearsal or storage space and few opportunities for catering”.
3. The
article also appeared online in substantially the same format under the
headline “Why the Arts Council should kill off ENO and ENB”.
4. The complainant said that the
article was inaccurate in breach of Clause 1. He said that it was not the case
that ENO had not performed outside London in decades – it had performed at the
Henley festival in Oxfordshire in 2018. He said the newspaper had also omitted
to mention that ENO is not allowed to tour as a condition of its Arts Council
England funding, and that the article, therefore, was misleading in its
criticism of the organisation.
5. The complainant also said that it
was inaccurate to report that the Coliseum had "no office, rehearsal or
storage space and few opportunities for catering" as it had backstage
catering, four bars that served food and drink, a coffee bar, and ice cream
vendors. He also said there was a rehearsal room and some office and storage
space backstage.
6. The publication did not accept a
breach of the Code. With regards to the first point raised by the complainant,
the publication stated that ENO’s press office had informed it that the ENO had
not staged a full-scale production, as opposed to an occasional “one-off”
performance, outside London since 2000. Whilst it therefore did not consider
the article to be significantly inaccurate to report that ENO “hasn’t performed
outside London for decades”, it did amend the online version of the article to
report that it “has hardly ever performed outside London for decades”. The
publication also said that it could not confirm that ENO was forbidden to tour
outside of London, but that in any case, this omission did not make the article
misleading and this strengthened the newspaper’s point that it did not tour
outside of London.
7. The publication accepted that there
was rehearsal and some office and storage space backstage at the Coliseum, and
amended this line in the article to state that it offered “little office,
rehearsal or storage space and few opportunities for catering”. However, it
said that this did not amount to a significant inaccuracy, where the point
being made within the article was that the Coliseum wanted for space backstage.
It noted that the former general director of ENO had said that after its
renovation it was “more cramped than ever”.
Relevant Clause Provisions
Clause 1 (Accuracy)
i) The Press must take care not to
publish inaccurate, misleading or distorted information or images, including
headlines not supported by the text.
ii) A significant inaccuracy,
misleading statement or distortion must be corrected, promptly and with due
prominence, and — where appropriate — an apology published. In cases involving
IPSO, due prominence should be as required by the regulator.
iii) A fair opportunity to reply to
significant inaccuracies should be given, when reasonably called for.
iv) The Press, while free to
editorialise and campaign, must distinguish clearly between comment, conjecture
and fact.
Findings of the Committee
8. The Committee first considered the
piece as a whole to note the context of the alleged inaccuracies. The article
was an opinion piece about Arts Council England funding, and described why, in
the writer’s opinion, both the ENO and the English National Ballet did not
deserve this funding. The points under complaint appeared in a single paragraph
of the article.
9. The article reported that ENO had
not performed outside London for decades.
The complainant had identified a single time it had performed at a music
festival over four years ago. Where this was a single performance at a festival
outside of London, rather than a full tour, the Committee did not consider this
to be a significant inaccuracy in the context of an article focusing on Arts
Council England funding. Where the point being made was that the ENO did not
engage in substantive activity outside of London – which did not appear to be
in dispute. Therefore, this concern did not raise a breach of Clause 1.
10. The
complainant had noted that there was one rehearsal room, some office and
storage space and several catering venues at the Coliseum, in contradiction
with the article’s claim that there was ”no office, rehearsal or storage space
and few opportunities for catering”. Whilst the publication had accepted that
this was inaccurate, and had amended the article to refer to the limited
office, rehearsal and storage room, the Committee did not consider that this
was a significant inaccuracy, where the point being made was that these areas
were limited. In addition, it believed that the catering venues described by
the complainant could be described as representing “few opportunities for
catering”, where they were limited in scope and number and the assessment was
necessarily a subjective one. On this basis, there was no breach of Clause 1.
Conclusions
11. The complaint was not upheld.
Remedial action required
12. N/A
Date complaint received: 20/10/2022
Date complaint concluded by IPSO: 15/02/2023
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